Customer Review: Extraordinary: Overwhelmingly WonderfulThe research here is remarkable. The scholarship is first-rate, the information exhaustive (although never definitive since world music grows with leaps and bounds moment by moment). I love dipping into this attractively illustrated, logically organized, and utterly helpful guide to find whole realms of sound which I not only didn't know existed but also could not even have imagined existed without the help of these fine fans of the music about which they write so clearly and well. The world today is a depressing place. Sorrow is everywhere one turns. But this celebration of music continually energizes and revivifies. Buy it; enjoy it; and expand your CD collection.
Customer Review: Everything V. 1 was for Middle-East, African, & European ...
... this one is for Latin & North American, Caribbean, Indian, Asian/Pacific idioms. I picked up the original '94 edition to explore World Beat rhythms in improvisatory settings, and was excited to hear the new edition would cover two volumes. I am NOT displeased !!
Ah… the arpeggio. A miracle of cascading notes that produces a beautiful sound on the piano. To most it's a mystery how it's created. But to those who understand chords, it's just a matter of practicing until the pattern is mastered.
Now, the arpeggio can be used either in the right or left hand (or both together) but it's usually the left-hand that takes up this amazing technique. Let's look at how one might use an extended arpeggio pattern to create an improvisation.
The first thing you need to know about most left-hand arpeggios is that they usually start below the middle of the keyboard. Most pianists begin their run below middle C and there's a good reason for this - bass notes!
Those thunderous resonant bass sounds that reverberate in the body are hit and the piano comes alive!
Now, you have to be careful here because if you hit too many bass notes together the effect can end up sounding "muddy." That is, you won't be able to differentiate the notes and you'll end up having sonic sludge. But, if you spread out the first few notes this won't happen. That's why the open position chord is perfect to begin your left-hand arpeggio. For example, let's say you want to play a C Major 9 arpeggio.
Of course, you'll begin with the C note (which is also the root note.) Now, we could play the third (e) but if we do, chances are we'll end up with that "muddy" effect. No, A better way is to play the fifth followed by either the octave or the seventh tone.
What I like to do is play a pattern that looks like this: 1-5-8-9-3 - which means I'm playing these notes: c-g-c-d-e. This pattern produces a beautiful "new age" sound and is used frequently in New Age piano playing.
For example, look at the lesson "Coming Home." Here we play an extended arpeggio in the left hand and use over 2 octaves of the keyboard. It's quite an exercise and is a good one to get your left hand moving!
Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Visit http://www.quiescencemusic.com now and get a FREE piano lesson!
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