Monday, September 8, 2008

The History of St. Louis Imperial Swing Dancing

There are a total of eight swing dance clubs located in and around the St. Louis area (including M.U.S.I.C. in Collinsville, Illinois) that are members of the Midwest Swing Dance Federation, and all of these clubs are descended from the St. Louis Imperial Dance Club that was founded in 1973. The largest of these sister clubs, the West County Swing Dance Club, has the distinction of being one of the largest swing clubs in the United States with an active membership that totals more than a thousand dancers.

Imperial Swing got its name from the Club Imperial located at Goodfellow Boulevard and West Florissant Avenue. The building, originally called Imperial Hall, was built in 1928 as a dance hall, bowling alley and restaurant/bar complex. In the 1930s and 1940s, it was the dance spot of Northwest St. Louis, just as Arcadia (later called Tune Town), the Admiral Showboat in Midtown, and the Casa Loma on the Southside, were the most popular dance halls in their respective areas. In 1952, George Edick Enterprises purchased Imperial Hall and George Edick renamed it the Club Imperial. During the early part of that decade, he operated the club as a ballroom with the theme of "a nice place for nice people." He played "big band" music and catered primarily to private parties. He was able to regularly book guest appearances with popular performers like Stan Kenton and Louis Prima because Robert Hyland, of CBS and KMOX radio, broadcast his weekly "Coast To Coast with Bob Hyland" program from the Imperial Ballroom.

During the late 1950s and early 1960s, Edick realized that the country's taste in music had shifted to "Rock 'n Roll" and he used his advertising-public relations firm, to aggressively promote the Club Imperial on KWK, KXOK, WIL and WGNU. The Joe Bozzi Quintet, Jimmie (Night Train) Forrest, Chuck Berry, Dolly Parton, the Monkeys, Glen Campbell, Ike and Tina Turner and a small vocal group now called the "Fifth Dimension" are among the many artists who began their careers at his club. He promoted a "Jitterbug" contest where a couple from the Club Imperial (Teddy Cole and Kathy Burke) won the National Jitterbug Championship. During the "Rock 'n Roll" craze, Edick held Tuesday "Teen Night" dances, and it was during these weekly dances that a jitterbug variation that became known as the "Imperial Style" of St. Louis swing was born. As the 60s progressed, music trends were changing again. The 'roll' started dropping out of "Rock 'n Roll," the 'rock' got harder, and the teenagers increasingly attended loud, psychedelic music concerts. Because the freak-out beats of their acid rock music was almost impossible to dance to, Edick gradually discontinued all public dances at his club.

In the 1970s, George Edick wanted to reintroduce more listenable and danceable music at Club Imperial and he found that hosting swing contests was just the ticket! He got together with Teddy Cole, the Jitterbug champion who was also a dance promoter in his own right, and they decided to sponsor a yearly St. Louis Jitterbug Contest "Imperial Style" to pick a "City Champion." These widely publicized contests prompted many of the older, experienced dancers to come around the club again, and Edick sponsored a number of "Salute Dances" to introduce these old timers to the newer dancers. As more and more people began learning the Imperial, they began organizing into small dance groups that met in apartment complexes around the St. Louis area, and George Edick kept in touch with many of their leaders.

In 1973 Al Morris conceived the idea of forming a club, and it was his group that first met at the San Miguel apartments in St. Charles which became the St. Louis Imperial Dance Club. The founders are: Dave Cheshire, Jan Cheshire, Rick McQueen, Joan Fritz, Debbie Dustman (Wheelis) and Veronica Lynch. The new club alternated their dances between Lynch's apartment complex in South County and the Wood Hollow apartments in West County. Edick contacted the Board and he told them that he was very interested in helping their club to fulfill their mission to keep swing dancing alive. The great promoter convinced them, with a persuasive new adaptation of his original 1950s theme, that their growing club should hold their future dances at his Club Imperial ballroom because it's "a nice place for nice people who like to swing dance!"

Good mottos never die but unfortunately people do, and on June 11, 2002 George Edick passed away. The building is silent now but it stands, not only as a landmark where Imperial Swing all began, but also as a tribute to a man who, over his colorful, eighty-six-year lifetime, was able to convert his dreams into reality . . . not a bad epitaph!

Copyright 2008 Skip Culver, Certified Swing Instructor. Member of the West County Swing Dance Club and author of the manual: "Imperial Swing Dancing" (visit: http://www.ImperialSwing.com)

Henry H. "Skip" Culver, Jr. is a member of the West County Swing Dance Club in St. Louis Missouri. He is a Gold Seal Instrument Flight Instructor and the author of the bestselling book on navigation titled: IFR 'Pocket Simulator' Procedures. In 2000 Skip turned his attention from aviation towards the dance floor. He became a Certified Swing Dance Instructor in 2004, and then with over seven years of detailed notes from various classes and workshops in hand, he began assembling the Imperial Swing Dancing manual which he published in June of 2007. Skip is a frequent contributor of articles on swing dancing to different club newsletters throughout the United States.

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Sunday, September 7, 2008

Spanish Language Schools in Argentina Give Students a Cosmopolitan Experience

Spanish schools in Argentina are very common. The reason behind it probably is that of 25 living languages in Argentina, Spanish is the most commonly spoken language with more than 350 million people speaking the language natively. It is the official language of some Latin American countries. The irony is that only Spanish speaking country outside the continents of North and South America is Spain. So, Spanish language schools in Argentina are quite many in number and people prefer learning it here too.

Learning Spanish in Argentina is always advantageous. There are many good Spanish schools in Argentina and those located in Buenos Aires the capital city have added advantages.

The capital, Buenos Aires is one of the cosmopolitan cities of Argentina. It makes the city a hub of both political, travel, cultural and entertainment connections. It goes without saying that when you are admitted in some Spanish language schools in Argentina you get an add on of spectacular scenic beauty along with the course. Spanish schools in Argentina, particularly Buenos Aires and Bariloche justify the belief. Here you will find everything from opera theatres to bars and restaurants. Happening social life outside the premises is eagerly ready to keep you occupied during the learning tenure.

Studying in Spanish language schools in Argentina is an opportunity of life time. And if you can enroll yourself in Latin Immersion School conveniently located near Buenos Aires downtown in Recoleta, there could not be anything better than that. Latin Immersion School is one of the leading Spanish schools in Argentina. It's a high profile learning institute with twelve classrooms and common places in the building. To top it they have a patio at rooftop for barbecue in summer. All the rooms have wi-fi, so you do not need to plug in your laptop or PDA phone with internet connection. Wherever you are in the premises, you stay connected.

The courses offered by Latin Immersion Spanish language schools in Argentina are designed in such a way that a fresher as well as someone who knows Spanish would get equal time to learn the language. They adopt modern techniques to impart lessons. They make groups of no more than six members so that interaction with the instructor gets easier. Standard regulation of the course assigns twenty hours a week of classes leaving enough room for self study and improvisation in home.

However, unlike many Spanish schools in Argentina, Latin Immersion School emphasizes on teaching on one to one correspondence. Keeping small groups is one of the reasons. It facilitates substantial level of individual attention. With paying extra but a nominal price, students can take advantage of extra classes in Argentina as well as Chile.

Location of Latin Immersion School is spectacular. If you are a partying sort, Recoleta has restaurants, bars and discs in premise's vicinity. If you are a quiet person and enjoy your own company, then there are parks, quiet and calm custom made for you. Lines of coffee shops, sporting events, world class theatres add a cosmopolitan touch to the persona of the students.

For usual and long weekends the nearby and faraway tourist destinations will lure you towards them. For sea lovers, there are beautiful beaches on Atlantic like Mar del Plata, some 400 kms from Buenos Aires. There are Iguazu Falls, Perito Moreno Glacier and snow capped mountain ranges.

Even few years ago Buenos Aires happened to be one among the costliest cities of the world. But with the economy crash their lifestyle has become quite reasonable. So the students of Spanish schools in Argentina now can enjoy great yet cost effective food in cosmopolitan ambience of a world class restaurant.

Buenos Aires is regarded as Latin American Paris because it boasts of Europe-like sophistication with the charm of native Latin America. Number of open air cafes, vibrant locale, happening nocturnal life with portens performing salsa and tango all night. Undoubtedly you will get all means of cosmopolitan entertainment in Buenos Aires. So other than the courses, Spanish schools in Argentina have lots more to offer.

Apart from Buenos Aires, Bariloche also has some of the great Spanish language schools in Argentina. It has a branch of Latin Immersion School too. It is their smallest school. If Buenos Aires is Paris then Bariloche is Aspen of South America. In the Andes Mountains, Bariloche is situated on lakeside. A perfect destination for ski, white water rafting, trekking and other adventurous activities add volume to the language courses offered by Latin Immersion School and other Spanish language schools in Argentina.

Latin Immersion School offers the same curriculum in all its schools in each country. So there is provision of shifting base without hampering your classes. If you prefer quieter atmosphere to pursue your Spanish classes, Bariloche is a better option for you. With a meager population of 100,000, place is serene and a perfect resort town. However, even Bariloche has not been spared of the cosmopolitan wave. Restaurants, pubs or coffee shops are increasing in number to cater locals, tourists and students coming to Spanish schools in Argentina from different parts of the globe.

There are many Spanish language schools in Argentina but the curriculum of Latin Immersion School has been planned in a way that one course week has to include overnight excursion to remote or nearby colonial countryside, tango shows, watching shows in top class theatres of the world and many more. The Latin Immersion Spanish schools never let you be overburdened with curriculum. Colorful cosmopolitan life in spectacular scenic landscape rejuvenates your exhausted spirit.

Spanish schools in Argentina, be it in Buenos Aires or Bariloche, aim at your fluency and full grip on the language. It helps you get the actual feel of habits and life led by the portens. So immersing yourself in the rich heritage of the country is an integral part of the curriculum. You can utilize the time between the classes by taking tango classes and attending salsa parties to know the nation better. Latin Immersion School, one of the most successful Spanish language schools in Argentina ensures that your language learning is enriched with not only the native inputs but also with the cosmopolitan experience that the students definitely undergo in Argentina.

http://www.latinimmersion.com/learn-spanish-argentina.html
Latin Immersion School provides exclusive curriculum in extraordinary locale. It justifies your choice of selecting it over other Spanish schools in Argentina.

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Adriana Carolina Diaz - Interaction Design - Bogota, Colombia
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Chicago Business News, Analysis & Articles | Record volume buoys ...
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Smithsonian Global Sound
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Guitar Lesson: How To Improvise The Classical Guitar Way

When I was a fifteen years old guitarist playing rock solos and classical guitar pieces I remember that I had a desire to be able to improvise on my guitar in a classical manner.

Nowadays I have developed this skill and I love to improvise in the style of composers like Sor, Tarrega, Paganini or others or just trying to find myself somewhere among the notes. These special moments are a form of meditation. They clear my mind and also helps me as a composer to stimulate my creative abilities.

The most important reason for learning classical guitar improvisation is that it's fun!

If you learn classical guitar improvisation it will benefit you in many other ways too:

1. It will be easier for you to memorize classical guitar sheet music.

2. You will find it easier to compose your own guitar pieces in a classical guitar style.

3. You can make up your own techniqal exercises on your guitar on the go.

4. You will understand your guitar better.

There are many ways to develop classical guitar improvisation. How?

You can start with major scales, experimenting with easy chords, or easy classical guitar pieces. The most basic requisite is that you want to learn this art and with this desire you will find ways to practice classical guitar improvisation in all your guitar playing.

I will just mention using classical guitar pieces in this article. But how do you begin?

May I suggest that you begin with an easy melody with just one voice or maybe a two voice piece with bass notes on open strings. Learn a couple of bars by heart and play the melody over and over again and try to change the melody slightly without losing the classical touch.

The ultimate exercise is to use advanced classical guitar solos.

If you think about it you will realize that classical guitar pieces are filled with wonderful licks, more or less complicated.

These licks can be developed and added upon to give you material that will help you developing your improvisational skills.

For example, take a two bar passage in a classical guitar piece that you like and practice it until you master it and then memorize it.

Now you can play around with the passage, break it down, change it, analyze it and so on. If you want to improve as an improvisational guitarist and musician you can regard classical guitar pieces as collections of very musical licks just waiting to be used.

I hope these hints will motivate you to reap the benefits from improvising the classical guitar way.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play resources at http://www.capotastomusic.com

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Saturday, September 6, 2008

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Blades And Slippers

Many figure skating moves and techniques are based on ballet. Skaters who have a background in ballet should be able to transfer the positions and principles from ballet to skating. It is precisely this closeness to dance, and especially to ballet, that sets ice skating apart from any other sport. Although ballet and skating are similar, you have to think of them as two different worlds. There are many moves in skating that are similar to ballet, but you will have to break some ballet rules to get it right in skating.

The skater needs a strong core body to connect the upper and lower body for controlled powerful movements. He must be able to keep his shoulders over his hips throughout jumps, spins, footwork and edges. He must also be able to check his shoulders against his hips. Thus it is to the skater's benefit to become aware of the feeling of twisting in the middle of the torso, and also the feeling of staying square.

Figure skating and ballet require balance, strength in the legs, and ankle strength. They both use the same muscles, so ballet really helps figure skaters. Flexibility, balance, body alignment/posture, extension, and strength are just another reason to incorporate ballet to your figure skating. Many of the poses in skating are found in ballet, for instance arabesque, leaps, Rond de Jambe, Pli, etc. Ballet teaches the skater how to move the pelvis without losing balance or disconnecting the center in footwork sequences, including pirouette turns, jumps and leaps across the floor.

The entire foundation of ballet is poise and posture gained through core strength, making it the best way to learn how to present oneself and become graceful and elegant on the ice. Ballet helps with beauty and grace. Ballet dancers have a natural elegance in the way they carry themselves. The way their legs, back, arms, hands, feet, shoulders, and neck are aligned, always seems to have that flair grace. They have great posture.

Figure skating is ballet on ice. It can be one of the off ice training you implement to your skating for form and balance. Ballet uses body, mind and expression and while on the ice you have to express yourself as well. With ballet, you have a broader sense of how to perform, and to interpret and express your music as you tell your story or convey your emotion through the connecting steps of the program. This is what make the difference between a program that is all jumps with a lot of crossovers or stroking between the jumps, and a program that is interesting, artistic and pleasant to watch. Just as a dancer sweeps you away with her grace and flow and hides her/his sweat with a flourish, a skater will prepare you for a delicate show of artistry, acrobatic leaps and gentle arabesques.

The following is a brief summary of common terms and positions with which skaters should be familiar.

Rond de Jambe - A rotary movement of the leg.
It can be done in a number of ways, such as on the
floor with knee straight, or in air with a circular
rotation of the knee from bent to straight.

Pli - A bending of the knees with hips, legs, and
feet turned outward.

Arabesque - A position in which the dancer
stands on one leg with the other leg extended in a
straight line to the rear. The position of the arms
and the height of the raised leg may vary.
There are certain set positions in ballet for the
arms and particularly for the feet which give the
ballet dancer a particularly pleasing aspect as well
as providing a starting point for particular moves
and interchanges.
Skaters who have a background in ballet
should be able to transfer the positions and
principles from ballet to skating.

Foot Positions
There are five basic ballet foot positions that
are common to all teaching methods.
The feet point either in opposing directions either
in a straight line, or offset with one foot in front of
the other.

http://thetripleaxel.blogspot.com/

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Friday, September 5, 2008

Radio Play - Will Topping The Charts Make You Bigger Than Elvis?

Every true life rock n roll television melodrama has the same scene: the unknown artist/band gives their freshly cut 45rpm single to the local disc jockey. He spins it on his top 40 radio showand a star is born. This legend has been passed down through the generations of wannabe popstars like an ancient family recipe. The ingredients may differ, but in the end you get the same glorious results: radio play equals fame and fortune.

But does this Top of the Charts fairytale still apply today in the sardonic post new millennium world we call today? Can a band in our current music scene walk into a radio station with a CD single in their hot little hands, impress and wow the DJ with their enthusiasm and chutzpa, obtain the magic and golden FM radio spins and then ride the wave of success all the way to Graceland? Well, then, I guess the real question would be, Do you believe in fairytales?

Unfortunately, the music industry, like the entire Earth, has become so overpopulated and so oversaturated with artists, music, CDs, and radio stations/shows of all kinds, that the chance of your own personal radio fairytale coming true is probably slim to none. But, dont give up on your favorite audio media outlet. Radio may not catapult you to instant superstardom but it certainly can help to push you down the path to success.

The following are a few tips that will help you to make your own music fairytale and get your music heard throughout the airwaves:

1.) Get Out Of Major Market The Top 40 Station Mentality---There was a day when getting played on a big city Top 40 radio station was like winning a gold medal at the Olympics. Bands that were chosen for play were handpicked by the voices of the airwaves whose ears were finely tuned to pick out the next new rising star. Today, things are a little different. Radio has become a huge corporation with three major conglomerates owning most of the stations in the United States. Sadly, Disc jockeys are no longer the innovators their predecessors were. Station management hands down a playlist (made exclusively of artists signed to mostly major labels) and the voices you hear on your radio are just thattalking heads animating a script. Its nearly impossible for an unknown band to break into mainstream large metropolis radio and a waste of your time and money to send packages blindly to a medium that will more than likely reject you again and again.

2.) The Specialty Show Is Your Ticket In---Still determined to get played on that hot radio station with 10 million listeners and a celebrity DJ? Well, there is a backdoor that you may be able to slip through. Its the specialty show. Many huge stations feature a weekly show structured just to highlight the little guyto showcase unsigned artists from that stations area and sometimes beyond. These shows are always worth sending your press package to, as they tend to base their playlist on your music and your credentials on not on the typical corporate artist roster. This is where you just might wow that innovative disc jockey and garner play on some of Americas biggest stations.

3.) College Radio Still Rocks---One area of radio that has stayed unaffected by the huge corporate retooling is the college/university station. Unlike companies/labels deciding what the listening audience thinks is cool or hip, college radio DJs and program directors are still setting their own cutting edges, breaking new artists, and finding the hot fresh stars of tomorrow hiding in their local clubs, coffee houses and garages. Its always beneficial for unsigned artists to send as many CDs (or email as many MP3s, if the station will accept that medium) to as many college stations as you can find. You will find stations to play you and people will be listening. This could lead to new fans, tour possibilities, and will definitely look fantastic on the radio page of your website or EPK. Whether or not it will actually make you a rockstar, it will sure make you feel like one.

4.) The Unlimited World Of Independent Radio---Back in the early days of radio, indie stations were limited to audio pirates in their basements stealing airwaves from unsuspecting Top 40 giants. Now, thanks to the internet, satellites, cell phones, iPods and cable TV, independent stations outnumber their AM/FM constituents in the thousands and new ones are created every day. Since doing a search of indie radio stations online has been known to cause a brain embolism in some, know that you will probably never be able to solicit them all in one lifetime and just relax and enjoy sending music to whomever you can, as you will probably garner hoards of airplay. Furthermore, your wallet will grow to love you as most of these stations will allow you to submit MP3s online.

Its true that the legendary story of the unknown band that got one single played on the radio and became superstars within a month is probably as outdated as the 8-Track tape. But that doesnt mean that the process of artists soliciting music for radio play has become archaic. Radio remains, to this day, one of the best ways for musicians to promote their music and their projects in their area.and now, thanks to terrific technological advancements, nationally and worldwide. The repetition of your single in the ears of even the most jaded radio listener, may lead to: CD and merchandise sales, gigging opportunities in your city and others, visits to your website, posts to your fan club forums, potential press and even maybe industry attention. So, dont stop sending those CDs, and emailing those MP3s because the next person who hears your song on the radio might just be the one who leads, either directly or indirectly, to your much sought record deal. And who knows? You might just wind up becoming bigger than Elvis.

Sheena Metal is a radio host, producer, promoter, music supervisor, consultant, columnist, journalist and musician. Her syndicated radio program, Music Highway Radio, airs on over 2,400 affiliates to more than 126 million listeners. Her musicians assistance program, Music Highway, boasts over 10,000 members. She currently promotes numerous live shows weekly in the Los Angeles Area, where she resides. For more info: http://www.sheena-metal.com

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