Blues People Negro Music in White America

The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.



He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.



However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.

Customers Rating=5.0 / 5.0

Blues People Negro Music in White America

The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.



He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.



However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.

Customers Rating=5.0 / 5.0

Blues People Negro Music in White America

The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.



He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.



However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.

Customers Rating=5.0 / 5.0

Blues People Negro Music in White America

The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.



He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.



However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.

music to you

i'am love music

music to you

i love music

Mambo in New Zealand

Origin:

Mambo originated in Havana, Cuba in the 40s. The Mambo was originally played as a Rumba with an emphasis on 2 or 4. Once introduced, it fast led to other variations. Although Mambo did not last long and is only danced by advanced dancers today, it led to other styles that became popular such as Salsa and Cha-cha.

Music:

Mambo is an up-tempo dance rythm, usually around 200 bpm. Mambo, like Salsa is played in 4/4 with all 4 beats being evenly accented. Like a lot of Latin American rythms, percussion forms a very important part of the music.

Dance:

Mambo is probably one of the toughest dances to learn, especially is you are already used to dancing one of the other Latin styles like Salsa. Although the music is 4/4, the stepping is quite different. The steps are taken on the second beat as opposed to the first beat, which is one of the main differences that throw most dancers off. The other difference is that the weight change takes place three times in every four beats whereas only two steps are taken!

Latinos NZ Popularity Scale: 1/10

Mambo is rarely danced in Latin clubs in New Zealand, and is rarely taught in training institutes.

Article taken from Latinos.co.nz (http://www.latinos.co.nz)

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