Gipsy Kings Fuego! The Videos

Throw away those frumpy granny panties - look seductive in plus size panties that hug your curves. Choose boyshorts that let you feel sexy without revealing too much. Go for daring g-strings if you want to burn up the bedroom with your smoldering appeal. Numerous styles are available for curvaceous women who are tired of looking for the perfect fit at traditional retail stores. Don't squeeze yourself into lingerie made for smaller women.

Plus Size Panties - Endless Variety!

When it comes to choices, you will be spoiled. If you want to be a seductive goddess in the bedroom, go for a tiny g-string that leaves little to the imagination. Keep your partner entranced in a stretch lace panty that delicately sheathes you. Wear a bikini bottom in bold prints or an embroidered panty for a great time on your honeymoon.

Sizzle!

Add sizzle to your romantic evening in a crotchless panty, guaranteed to make his heart beat faster. Wear a bold animal print, or opt for tropical motifs, helping you keep warm in the bitterest of winters! Wear an eyelash lace thong for that Victorian look, and match it with your most seductive plus size bustier for added effect. Go for a naughty rumba panty that covers you just enough to make temperatures soar in the bedroom.

Accessorize!

You can also wear matching plus size garter belts and stockings with your panties. Choose tonal lace panties for that elegant effect. If you are going out to work, wear a full coverage panty that keeps you well covered, especially if you wear sheer skirts and pants. Plus size panties are available to go with all dresses, and all occasions.

Enjoy your intimate evening, formal sit down or daily work snug in a well fitting plus size Panty.

Karen MacLean is a consultant and writer for online and offline businesses. Karen resides in the province of New Brunswick, Canada. http://www.plus-size-lingerie-4-women.com

latin music downloads

X&Y

Japanese Limited Edition of the Popular British Band's Third Hit Album. The Package Comes in a Special "o" Card Box with the Original Artwork and the Discs Are Housed in a Brilliant Box. Includes a Second Disc with Six Bonus Tracks, all Taken from the Backing Tracks of Three Singles Released from this Album: "Things I Don't Understand", "Proof", "The World Turned Upside Down", "Pour Me (Live at the Hollywood Bowl)", "Sleeping Sun" and "Gravity". The Disc also Includes the Enhanced Promotional Videos of "Speed of Sound", "Fix You", "Talk" and "The Hardest Part".
Customer Review: Well, Well. Yet another overpriced piece of work...
And I mean this literally. Should you own this? No. Should you get the ORIGINAL? The MORE AFFORDABLE version, with no lyrics and missing a bonus Japanese track, How You See The World? YES, MY *GOD* YES!! Cool, this version has an added song and the lyrics...(WHO DOESN'T LOVE READING ALONG?!?!?!). But at a price this over-bloated, PLEASE DON'T BOTHER!!!! No human with decent sense would pay for this!!!! Half of the tracks are upbeat which I prefer Coldplay's music to portray, and after studying this album's nooks and crannies, I found just TWO duds. b^_^b White Shadows, Fix You, Twisted Logic, Square One, Low, Speed Of Sound, Talk & X&Y are amongst the great tracks. But then you have filler tracks such as What If and Swallowed In The Sea. The rest of the CD is full of decent if just a tad forgetful tracks; A Message, The Hardest Part & Till Kingdom Come definitely fill my mind first. I was SO looking forward to this release because I have their 2 previous albums and I highly enjoyed tracks such as In My Place, Clocks and Daylight, for their uplifting, positive demeanor. Coldplay has an interesting lyric here and there, and my initial thoughts told me that it wasn't enough. White Shadows was a low point for me, but thank goodness I seen a quirky but awesome video to accompany the song, and I was totally, totally hooked! With that said, I can't wait to experience their new sound in mid-late 2008 or early 2009: I bet they release it around then and it'd be best if it were better than this one! Or at least here's to hoping... *Cheers* Keep it comin', Coldplay! You have fans other than the emotional girls that follow you. Some men, of all different walks of life appreciate your sensitive side too! ^_^ Cover Art: B- Inside Art: A- Songwriting: B+ Vocals: C+ Vocal Emotion: B+ Vocal Acrobatics: F+ Length: A+ 59.75/13 = 3.98076923076923 3.98 stars. Overall: B- Favorite tracks, in order: White Shadows, Fix You, Twisted Logic & Down. .. P.S. When is Amazon going to get with the times and let us rate within .5 increments!?
Customer Review: Well, I can rate the first 13 tracks...
I don't have this import version, but I WOULD get it if it were 25 bucks or less. 46 bucks + is super-ridiculous and anyone who shells out that much is either: 1. Stupidly rich 2. Rich and stupid 3. Just plain rich 4. a HUGE, HUGE fan 5. All of the above No human with decent sense would pay for this otherwise. I fall into that category and none of the above ones (*LOL*!!). Here goes, Half of the tracks are upbeat which I prefer Coldplay's music to portray, and after studying this album's nooks and crannies, I found just TWO duds. b^_^b White Shadows, Fix You, Twisted Logic, Square One, Low, Speed Of Sound, Talk & X&Y are amongst the great tracks. But then you have filler tracks such as What If and Swallowed In The Sea. The rest of the CD is full of decent if just a tad forgetful tracks; A Message, The Hardest Part & Till Kingdom Come definitely fill my mind first. I was SO looking forward to this release because I have their 2 previous albums and I highly enjoyed tracks such as In My Place, Clocks and Daylight, for their uplifting, positive demeanor. Coldplay has an interesting lyric here and there, and my initial thoughts told me that it wasn't enough. White Shadows was a low point for me, but thank goodness I seen a quirky but awesome video to accompany the song, and I was totally, totally hooked! With that said, I can't wait to experience their new sound in mid-late 2008 or early 2009: I bet they release it around then and it'd be best if it were better than this one! Or at least here's to hoping... *Cheers* Keep it comin', Coldplay! You have fans other than the emotional girls that follow you. Some men, of all different walks of life appreciate your sensitive side too! ^_^ Cover Art: B- Inside Art: A- Songwriting: B+ Vocals: C+ Vocal Emotion: B+ Vocal Acrobatics: F+ Length: A+ 59.75/13 = 3.98076923076923 3.98 stars. Overall: B- Favorite tracks, in order: White Shadows, Fix You, Twisted Logic... P.S. When is Amazon going to get with the times and let us rate within .5 increments!? P.S. This HAS to be better than the all-Spanish review, right?

Band agreements.

If you write songs within a band, you need to plan for the day when you will be earning royalties from your songs, and be clear what will happen if a member of the band leaves or if the band splits up.
The best way to deal with this is to all agree what is fair, and then put this in writing as a formal agreement which you all sign. This way there is little chance of any comeback if the band splits for less than amicable reasons.

Here are a few specific points you should consider:

1. If a member of the band leaves, do they forfeit all rights to the songs, and the songs remain the sole property of the band?
   


2. Are the songs written by one person, or a few principal writers, who wish to retain all rights?


3. If a band member leaves would both he and the band both retain a claim to the song, (this is probably the most likely option).
   


4. How do you determine each persons share?
   
   Do you base it on a song by song basis ranking each members input, or use the same formula for every song.
   
   Do you simply divide everything up equally, (i.e. 5 members each own 20% of all the songs and therefore receives 20% of the proceeds/royalties), or do you rank each individuals input?
   


5. If a member leaves, can he/she perform or profit from the music outside of the band.

Sample band contracts can be viewed and downloaded from the following sites:
http://undercurrents.com/agreements/agreement-bandmember.html,
http://www.blues101.org/articles/promotion1.htm and
http://www.musicianassist.com/archive/contract/files/member.htm

The advice from the UK Copyright Service on this subject is:

Where music is written as a group effort, we recommend that you draw up an agreement to clarify issues, such as which rights belong to which member, and how royalties would be distributed in the event that members of your group leave.

For successful commercial bands, incorporation is also an option. As with a normal incorporated company, the band members would own shares in the band/company. In this situation, a band member would typically sell his shares to the other members if he decided to leave.

Resources

Band member agreements
Music Copyright Factsheet

latin music artist

De Colores and Other Latin American Folksongs for Children (Anthology)

Bursting with color and spirit, this collection of Latin-American songs is a tribute to Latino culture. From traditional tunes to rhymes and hand games, De Colores has songs for all occasions and moods. Each song is accompanied by simple musical arrangements, with lyrics in both English and Spanish. Slightly abridged from the original edition, this is ideal for classroom use, multicultural studies, or just plain fun.

"Rich and resonant." --Booklist
Customer Review: My boys love this book.
This is a wonderful book of popular songs in Spanish, which my triplet boys latched onto immediately. The songs are very engaging, and each page has lovely artwork. I speak Spanish, and my boys were born in Spain. I have been trying very hard to help them maintain a little Spanish, and this book has been very helpful. It doesn't come with a CD, but you can easily learn the tunes of the songs if you know how to read music. And even if you only speak rudimentary Spanish, I think it's possible to learn the songs and enjoy them. This book quickly became the boys' favorite bedtime routine. I hear them singing the songs during the day as well. I highly recommend it.
Customer Review: Great book
I love the colorful pictures in this book and that it has music to all of the songs. It is a wonderful book and my baby loves when I sing to him!

If your young ballerina, tap dancer or hip-hop performer starts to express more anxiety than excitement there are ways to help.

Firstly, you may be hearing expressions of natural stage fright, which almost everyone feels when the reality of opening night strikes - even if just for a few moments.

If you have a child that worries, let her/his teacher know that he/she needs encouragement as well as corrections. Remind your child of compliments regarding their dancing you may have overheard from the studio or stage area.

Some dance teachers like to provide each student with the music of their dances, so that they can practice mentally. When they are resting with their sore feet up at home, they can visualize and feel themselves performing, applying their corrections over and over. The earlier they learn this the better. It is a method that actually helps develop neural pathways and better performance. This is a great way to increase confidence, without getting exhausted, or spraining and straining muscles.

Having a couple of soft ice packs handy at home eases aches and pains.

For older children, remind them about good nutrition. While a lot of sugar can be a tranquilizer, it also weakens the muscles. And for many children sugar is an irritant and increases nervousness.

Fruit is a wonderful source of the minerals that get lost in excessive perspiring....and that, along with good water, is something that students can have with them during long rehearsal days. Replacing minerals and staying hydrated (frequent sips, don't wait until your throat is dry) also helps prevent muscle spasms.

Backstage volunteers can help by remaining cheerful and calm no matter what happens. If a child freezes up in the wings, deep breathing can remedy it. Practicing deep breathing is a good idea during staging rehearsals, while kids are in the wings waiting for their entrances.

Speaking of waiting... modern theaters are often chilly with air conditioning. Your child will need leg warmers, even sweats, to keep their muscles warm during the staging rehearsals.

Having them ready with everything they will need in the dressing room, with some Band Aids, a sewing kit, extra hair pins and nets - anything that could be suddenly required - will reassure a worrier that all angles are covered. Aside from that, it is a good professional habit to ingrain in aspiring dancers.

Natural stage fright turns into exhaltation when the performances are done and well received - and hopefully that won't wear off for a while. And parent volunteers get to share that with the joy of seeing their child close a year of hard work at the barre by getting to dance for you!

Click here and find out how to get exactly the right fit in ballet shoes and pointe shoes, how to prevent dance injuries, how to get The Perfect Pointe Book, The Ballet Bible, and details about classical ballet technique. Dianne M. Buxton trained at The National Ballet School of Canada, The Martha Graham School of Contemporary Dance and Toronto Dance Theater.

80's dance music

Whipped Cream & Other Delights (40th Anniversary Edition)

40th Anniversary Edition Of The Classic Album!

1965's Whipped Cream & Other Delights transformed Herb Alpert & The Tijuana into bonafide superstars, spending an incredible 8 straight weeks at the top of the charts. The album was not only memorable for its music, but for the iconic cover art which featured model Dolores Erickson strategically swathed in whipped cream. The original twelve tracks revolve around the theme of food and include such classics the triple Grammy-winning hit, "A Taste of Honey" and the Dating Game theme "Whipped Cream." This special 40th Anniversary edition features two studio bonus tracks along with a 20-page booklet and a collector's poster.

Each album in the Herb Alpert Signature Series features meticulously remastered sound, deluxe packaging, detailed liner notes, and an intro by Herb Alpert containing personal recollections and anecdotes.
Customer Review: My own "Whipped Cream" fantasy
I have fond memories of this album from my childhood. I remember my mother trying to hide the album cover because it was so racy for the times(at least in So. LA). But the folks did play it often. The music is still great. It sound as wonderful today as it did forty years ago. It stands the test of time.
Customer Review: Yummy Whipped Cream
Herb Alpert is one of the great trumpet players and this album shows that. I could listen to him for hours.

More than most factors, music can shape the mood of your wedding service and reception in a really big way. This is particularly so with string quartet and instrumental ensemble music.

The beauty of hiring a string quartet is the versatility of what they can play. Literally, any music classical or popular, (within reason), can be adapted for use by a string quartet. Moreover, string ensemble music provides the perfect backdrop for such a special occasion.

Do you want to relax your guests as they arrive? Complement the conversations during your wedding meal? Don't forget that string quartet music can also accompany an organist or other musicians during the wedding ceremony itself.

If your venue is small or your budget is tight, consider a string quintet or trio in lieu of a string quartet. The difference is only a violin player - plus or minus!

It's imaginative to involve quite different styles of music over the duration of your ceremony and reception. For example, you may want to start the church service with guests being met by a piper, (if it's a Scottish wedding), or a classical rendition from a string quartet just prior to the proceedings commencing. Also what about a jazz band for a bit of gusto after the speeches?

During the reception itself, string quartet instrumental music is a wonderful accompaniment during the meal, when guests want to have a conversation along with the soothing backdrop of great instrumental music

From experience, we recommend that you select a wedding band, jazz band, swing band or an entertainment group that you've personally chosen to start the proceedings proper during the all important, dancing phase of the reception. Alternatively, if your budget is limited you may want to select a string quartet plus disco.

What will you need for wedding day music?

For the most part, this question will be answered by six factors:

The size of your budget.

Do you want a lot of special requests?

The availability of good local bands, string quartets and musicians.

The logistics of your venue and the size of your wedding party.

Your desire to have a live vocalist present.

The amount of dancing that you'll want during your wedding.

If you are planning to have live music at your wedding - consider the following:

Does your chosen band or string quartet have recordings of tracks that you can listen to?

Do they have testimonials that can be seen and if necessary, can you have the opportunity to speak to people who have hired the band previously?

Is there enough space for the string quartet or band at the venue? Is the venue big enough and are the acoustics suited to the sounds of your band?

Will extra PA and sound systems be required to be hired - where they are not being provided by the band or quartet?

What will the band be wearing? For example, if you've hired a string quartet, will the players be in black or white tuxedos.

Are back up musicians available in case one of the band or string quartet has to drop out at short notice?

Is the bandleader, or dance caller, willing and able to act as M.C. and organise the evening's entertainment, direct guests and convey announcements etc?

Who is the leader of the band - and can they be contacted easily prior to the event?

Who will be the responsible person for the band or string quartet at the reception?

What is the total charge? What is the deposit? When and in what payment form is the final balance due?

If you can afford it, wouldn't it be great to have a band and string quartet playing in an alternating fashion or in different parts of the venue?

Will you or the band want a break whilst an evening buffet is being served, for example?

To conclude, music is frequently the last service to be booked for a wedding. Yet it is so important to the ambiance and atmosphere of such a special occasion. At the very least you should consider the possibility of string quartet music alongside a function band or disco. The beauty of string quartet instrumental music is that it can be provided in popular, contemporary or classical styles.

A quartet can play during the ceremony itself - in tandem with a church organist. Whilst, during the welcoming and wedding meal stages of the reception, string quartet music can provide a wonderful romantic backdrop to the occasion.

If your guests are staying overnight at your hotel venue - what about surprising them with beautiful string quartet instrumentals first thing in the morning as they eat their breakfast. Soothing classical music is a sure way to relieve the effects of a wedding hangover.

Finally, don't be afraid to negotiate with a band leader. It's important that you get what you require at a price that's acceptable to you. However, remember that good bands and string quartets cost money and often a cut in costs can only be done when cheaper alternatives are considered.

Good luck with planning your wedding day.

Anthony Coogan

String Quartets Live

Anthony Coogan has been involved in providing classical and contemporary music in the UK and Europe for the last 20 years. String Quartets Live developed as a result of his classical music training coupled with his experience of playing at hundreds of weddings over the years.

Click for more information on wedding string quartets

90's dance music

God Put a Smile Upon Your Face

Full title - God Put A Smile Upon Your Face. Exclusive Australian single from their 2002 album, 'Rush of Blood to the Head', is b/w three exclusive non-LP tracks, 'Murder', 'Politik' (Live), & a cover of the Echo & the Bunnymen's 'Lips Like Sugar' (Live). Copy Controlled. Capitol. 2003.
Customer Review: Probably the best compliation
Okay, I haven't really felt the need to review any of Coldplay's stuff, despite a certain affinity for the band. I had to remedy that for this single, as it quite literally brought a dream to life. But I'll get to that in a moment. "God Put a Smile Upon Your Face" isn't their best song. Of course, I can't think of a "bad" Coldplay song, you can really only compare their songs to one another. This song is very melancholy and wonderful, it's just no "Yellow" or "Green Eyes". "Murder" is a good song. I didn't really catch anything that stood out, but I'll definitely give it another listen. "Politik" live is lovely, with a minute and a half intro before they get to the infamous opening guitar. And the gem of the album, the final track. I saw the cover of the single and went "Hm, new import. Bonus." Then I saw the sticker claiming "Contains all new Live versions of "Politik" and "Lips Like Sugar". I dropped what I was holding, stunned. For those of you who don't know, "Lips Like Sugar" is a song by Echo and the Bunnymen, one of Chris's favorite bands. Before I'd heard of Coldplay, I was an Echo and the Bunnymen buff. "Lips Like Sugar", bar none, is my favorite song. And apparantly, Coldplay agrees, since Chris introduces it by saying, "Here we go, this is one of the greatest songs in the world." And he's quite correct. Chris does an excellent job covering the vocals, never trying to imitate Ian's work on the original. the rest of the band plays the song spectacularly, a slightly faster version that the Bunnymen themselves do live. As I stated previously, this was a dream come true. Ever since I heard "Parachutes", I knew Coldplay and the Bunnymen had to do an album together. And while this isn't quite the same, it's still wonderful to hear. And a note to Ian, Will, and the gang: I think hearing you guys cover "Spies" would be awesome.

The difference between the Basic, the Intermediate and the Advanced levels of dancing proficiency are defined by more than just their core curriculums. In the aviation world, for example, it is the difference between driving an airplane and flying one! A basic pilot can fly straight and level, climb, descend, and turn. An intermediate pilot can combine these basic "stick and rudder" airwork fundamentals with good airspeed control and make acceptable take offs and landings; however, only an advanced pilot can take full advantage of his airplane's capabilities by being able to fly it safely to the edge of its performance curve. Switching our focus now from the cockpit back to the dance floor, let's put the Basic, Intermediate and Advanced levels of swing dancing into their proper perspective by looking at them within the context of the four stages of awareness in the process of learning to dance.

1) UNCONSCIOUS INCOMPETENCE: At this first stage of awareness, a dancer has never given the subject of swing dancing any conscious thought. He has never been formally introduced to it and, although he may be quite adept at other styles of dancing like freestyle or Country and Western, for example, until he takes his first Basic level swing dance class, he is really at a stage of unawareness because he is simply unconscious of his incompetence.

2) CONSCIOUS INCOMPETENCE: At this second stage of awareness, the new male dancer or "leader," has been formally introduced to swing dancing at his club and he now fully appreciates its social and recreational potential. He has taken several Basic level classes but he realizes that his performance is marginal at best and that he needs to take many more swing dance classes and workshops to sharpen his skills. He is grateful for any helpful tips that might improve his dancing; for example, he may determine his lead hand by looking to see which thumb and forefinger form the letter "L." This is the awkward stage for the new swing dancer. His hand-leads are generally too strong and his body movements tend to be too stiff and mechanical to suit all but the least experienced of his female partners or "followers." At this point in his training, he is more prone to be repeatedly answering the question: "how long have you been dancing" rather than "where do you dance." All in all, the conscious incompetent clings to his patty-cake, the think-step pattern like a new western horseback rider clings to his saddle horn.

3) CONSCIOUS COMPETENCE: At this third stage of awareness, the male dancer has completed all of the Basic and Intermediate level classes offered by his club, and he is now an accomplished, well rehearsed dancer. He almost always executes his triple step footwork flawlessly in every direction to varying tempos of the music; he seldom misses that important "3 and 4" count of his footwork that often eludes less experienced dancers, and he has developed a gentle yet firm lead that guarantees him a willing partner for every dance. All in all, he has developed into a smooth dancer who confidently performs the different swing patterns that he has learned over the years. The conscious competent leader knows what he is doing!

4) UNCONSCIOUS COMPETENCE: At this final, fourth stage of awareness, the male dancer has achieved the highest level of proficiency where he has cultivated a signature style that transcends being well rehearsed; instead, he has become just as intimately familiar with each inherent part of the patterns that he has learned over the years, as he is with the overall patterns themselves. As an advanced dancer, he can intuitively "mix and match" the specific handwork and footwork elements of different patterns to create new patterns, and he has the versatility to frequently intersperse steps from other dance disciplines to physically embrace the beat of the music. His extensive knowledge of the dance, combined with his fluid lead authority enables him to maneuver his partner to the edge of her capabilities so that as a couple, they are able to consistently deliver award winning performances. Simply put, the unconscious competent is the dancer that the dancers enjoy watching!

TEACHABILITY INDEX: How quickly a new dancer progresses through these four stages of competence depends upon how "teachable" he or she is! All of us may compute our own Teachability Index (TI) which is the product of the following two variables that are rated on a scale of "1" (lowest) to "10" (highest): our Willingness To Learn (WTL) and our Willingness To Change (WTC). If our willingness to learn how to "dance centered," for example, is a 10, but our willingness to change our body positioning to accomplish this goal is just a "5," then our Teachability Index is only 50% (WTL x WTC = 50)! In other words, the maximum effort that we made in class to LEARN the correct way to "dance centered" is half wasted if we are not willing to CHANGE the way we lead our partner! Always remember that both learning and change are the inseparable, twin handmaidens of dance proficiency.

Copyright 2008 by Skip Culver, Certified Swing Dance Instructor. Member of the West Count Swing Dance Club and author of the manual: Imperial Swing Dancing - visit: http://www.ImperialSwing.com

Henry H. "Skip" Culver, Jr. is a member of the West County Swing Dance Club in St. Louis Missouri. He is a Gold Seal Instrument Flight Instructor and the author of the bestselling book on navigation titled: IFR 'Pocket Simulator' Procedures that was selected as the Main Selection of the Jeppesen Aviation Book Club. In 2000 Skip turned his attention from aviation towards the dance floor. He became a Certified Swing Dance Instructor in 2004, and then with over seven years of detailed notes from various classes and workshops in hand, he began assembling the Imperial Swing Dancing manual which he published in June of 2007. Skip is a frequent contributor of articles on swing dancing to different club newsletters throughout the United States.

dance dance music video