Customer Review: This book is fun ...
The book has well written, very musical phrases. The author suggests usage with several standards that should be in everyone's play book and it's fun to work them in with tunes you already know - in the proper keys. Take them apart, and there is something to learn in most of them. Great for browsing. The printing is good and the binding isn't troublesome on the rack. Nice experience. I would have rated it a five, but some of the pages have a tendency to work loose.
Customer Review: I love this book
I try to spend a half hour with it every night. This book will appeal to a wide range of interests. Whether you are a composer interested in theory, or a keyboardist enhancing your chops, there is something here for you. Most examples are four-measures long, but rich in musicality (kind of like what the Bach chorales are for those studying classical music.) The examples progress from simple chord progressions to more complex, and each is one is clearly explained. Nice melodies too! It is apparent that the author has spent a lot of time with each of the sub-genres (swing, ballads, blues, Latin, etc.) and has distilled his knowledge into a neat recipe book that will serve as a launching point for those wishing to further their expertise.
Ah, broken chords. The sound. The cascading pattern of chordal notes. It's beautiful. There's no doubt about it. And this technique is one of the easiest to learn. After all, all you need to do to create it is have a chord under your fingers and be able to "break it up."
What do I mean by break it up? You've probably heard of solid chords. This is when all tones are heard at once. For example, if I finger a C Major triad and play all three keys at once, I'm playing a solid chord. But, if I break this chord up into it's 3 notes and play them one at a time you get a broken chord.
Broken chords are used frequently in New Age piano music. There's something about playing notes of a chord in broken style that's very appealing. Maybe it's because it makes the piano sound fuller. Or it could be that it just sounds lovely.
Now, let's take a look at how we can easily create it.
In the lesson "Reflections in Water," we have 4 open position chords. These chords are ideal for "breaking up" because they are so wide-spaced. Over two octaves of notes lay under your finger tips. Once we finger this chord position we are able to play the broken-chord style. How? By simply letting your fingers play around with the note possibilities! And there are many of them.
When you listen to me play this piece, you'll notice that it's nothing to write home about. That is, I'm not after a "sophisticated" sound here. I'm just gently playing around with the notes and using the element of time to create a calm ambiance. And it works! The notes float out into the air and music is created. Not by planning or trying to come up with material but by following a few simple guidelines and letting go of the need to control the outcome.
Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Visit http://www.quiescencemusic.com now and get a FREE piano lesson!
dance music 2007
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